

This was a fun one. My friend Ken's six months younger than me, and we've been friends since junior high (shoutouts to Carnegie Middle Skool!), so making this made me a bit nostalgic, which naturally made me think of Rip Van Winkle (?). Yes, themes -- however arbitrary -- are useful when making stuff.So, in making this CD and its components there was a lot of cutting, and distressing and generally making it look like some late sixties silk-screen project gone horribly awry. Hobo signs were employed, in addition to forms used by the police to identify suspicious persons (forms are cool).
This is a little template I've been employing of late, to break me out of the rut of using regular jewel cases. In the end, it's like a mini-LP, which makes me wish I had a mini-turntable to display it beside, and a mini-record-store-snob to be holding it and showing off how little wear there is on its silvery surface, and how if you'd buy it for his excellently low price, he can score an excellently small bag of weed which he could enjoy in his miniature patchouli-smelling apartment. Ahem.

Musically, it's a 78-minute trip through lots of the noisier end of prog-rockishness, with a couple pop tunes for respite. Best of all, I have some great Maria Bamford bits bookending the whole thing, so it's almost like a concept album. That is, if the "concept" is "I'm creating a schizophrenic/ delusional journey through the music that Ken might like from the last two years, which doesn't seem that long ago, because yeah, I am really at the age where time does fly alarmingly, and yes, it is a little like waking up under a tree 100 years later and having an impressively long and white beard." Or something like that.The fearless and/or aged and/or musically adventurous can download it here.


